My Thoughts

Archive for the ‘General Lunch Time talk’ Category

Growing up in India, I was never particularly interested in academics. Going to school felt like a chore, and I rarely focused on improving myself in the classroom. The fact that I still managed to graduate and earn two degrees was largely due to the push I received from my parents and, of course, some hard work on my part.

I cannot really blame my parents, as they were products of their time. In the 1980s and 1990s, careers outside the traditional professional fields were rarely considered viable. While growing up, all I ever wanted was to somehow associate myself with cricket. I was obsessed with the game and wanted to do something that would keep me close to the sport. An engineering degree was about as far removed from that passion as possible.

Like many people I knew, I completed my engineering degree and then, at the insistence of my parents, boarded a plane to the United States to pursue a Master’s degree. The next few years of my life were a roller coaster ride. Studies, learning to manage myself, handling finances, and dealing with the pressure of finding a job after graduation defined that period.

There was a great deal of uncertainty, and with a large bank loan and mounting credit card bills weighing heavily on my shoulders, finding a job quickly was my only option. Things were not always rosy. I faced numerous rejections along the way and was even cheated by a consulting firm. Yet, with nearly $40,000 in debt, giving up was never really an option. After a couple of months of relentless hustling and applying for countless positions, Lady Luck finally smiled on me when I landed a job in August 2005.

A few days later, I flew to San Francisco to begin work. I was understandably nervous, as it was the first job of my life. The first few months were fairly mundane. I worked in technical support on night shifts, which meant there was very little excitement. The highlight of many nights was watching a colleague brew a full pot of coffee and somehow manage to drink all of it before the shift ended.

One night, while searching for a movie review, I stumbled across a blog. The blogger reviewed Tamil films and seemed a lot like me, living in the United States and probably working in IT. I started reading his posts, and in a sudden burst of inspiration decided to create a blog of my own.

I was not a good writer, nor had I ever done anything remotely similar, but I felt the need to create something. I signed up on Blogspot and launched my first blog, GirisOpinion. Initially, it was simply a place where I could pour out my thoughts about the sport I loved. Over time, however, it became much more than that.

Writing blog posts kept me sane during the first few months of my job, when I was working twelve-hour night shifts. Doing something you do not truly enjoy can drain you, and I had been experiencing that feeling ever since my engineering college days. The blog became an outlet, a way to distract myself from the stress and pressures of everything happening around me.

Whenever I sat down to write, my mind focused on nothing except the topic in front of me. For that brief period, everything else faded into the background.

A few years later, I moved to WordPress and never looked back. The blog evolved into something much bigger than I had originally imagined. It was no longer just a way to stay connected to the sport I loved. It became a space where I could share my thoughts on virtually any topic under the sun.

I never considered myself a great writer, but that never stopped me from wanting to write and maintain the blog. Over the last few years, however, things have not always been smooth. There has been a great deal of stress, and much of what has happened has been beyond my control. I moved to an entirely different continent for a new job, and with that came a fresh set of challenges.

Many times over the past few years, I have wondered whether it was finally time to close this chapter of my life. I hardly find the time to write anymore. Yet, every time I seriously consider shutting the blog down, something stops me.

I pause and reflect, and then I realize that this is not just a blog to me. It is something that helped me navigate some very difficult years after moving alone to the United States more than two decades ago. It gave me moments of peace and clarity amid the chaos. It provided an escape when I needed one the most.

That is why I keep going.

Even though I have not been able to write much lately, mostly because of what I can only describe as mental fatigue, I simply cannot bring myself to close the blog. It means far more to me than the articles I publish. It represents a journey, a passion, and a part of my identity.

The blogger who inspired me to start writing decided to stop a few years ago, but I am not there yet. So for now, I keep renewing the domain and returning whenever I can. This blog is more than a collection of articles; it is a record of my journey, a refuge during difficult times, and a reminder of who I am. Here’s to a few more years of writing, reflection, and finding peace through words.

Let me begin by paraphrasing something director Prem Kumar said in a recent interview:

“When I wanted to make Meiyazhagan, people advised me to make it in Malayalam and dub it into Tamil if I wanted it to succeed.”

That statement is a sad reflection of where Tamil cinema discourse finds itself today. More than the industry itself, it reflects the mindset of a section of the audience and the content creators who shape conversations around films.

Hiphop Aadhi recently remarked that unless Tamil content creators improve, the film industry will eventually suffer. There is some truth to that. Spend a few minutes on Tamil YouTube and social media, and it becomes evident that a large section of creators are driven almost exclusively by views, subscribers, and engagement. In the race for clicks, honesty is often the first casualty.

Criticism is essential for any industry. Good criticism challenges filmmakers, encourages discussion, and helps audiences engage more deeply with cinema. What we see today, however, is not always criticism. Much of it is content farming.

A section of Tamil YouTube appears to be waiting for a film to fail so that it can be roasted, mocked, and discussed endlessly. When a genuinely good film arrives, the same voices often fall silent. Where are the passionate discussions when films like Madras Matinee, Sirai, Angammal, or Paranthu Po release? Why do these films receive only a fraction of the attention that mediocre commercial failures receive?

The answer is simple: negativity sells.

A thoughtful discussion about a good small-budget film rarely generates the same traffic as a video mocking a star, director, or producer. As a result, outrage becomes the product. Some creators have even resorted to digging up old interviews, taking comments out of context, and turning them into personal attacks. At that point, the goal is no longer film criticism. It is simply content creation for engagement.

What makes the situation worse is the hypocrisy. Many of these creators routinely complain that Tamil cinema lacks quality content, yet they do very little to promote or even acknowledge films that attempt something different. If audiences and critics ignore films such as Madras Matinee, Sirai, Paranthu Po, 3BHK, or Aaryan, do they really have the right to complain that good cinema is not being made?

The problem does not lie solely with content creators. Audiences share responsibility as well. The success of negative and sensational content is driven by the number of people who consume it. Creators make what audiences reward. As long as outrage receives more attention than meaningful discussion, little will change.

Another concerning trend is the increasingly personal nature of film discourse. Criticizing a film, a performance, or a screenplay is fair game. Criticizing individuals, questioning motives, and turning every discussion into a personal attack is not. The line between criticism and trolling has become blurred, and too many creators seem comfortable operating on the wrong side of it.

Ironically, even as some channels urge Tamil filmmakers to learn from Malayalam cinema, they could benefit from following the same advice themselves. The Malayalam industry is often praised not only for the quality of its films but also for the seriousness with which those films are discussed. The focus tends to remain on the work rather than on manufacturing outrage around the people involved.

The reality is that Tamil cinema is not short of talent. New filmmakers continue to produce interesting and ambitious work. Films such as Aaromaley and Aan Paavam Pollathathu show that there are creators willing to take risks and tell different stories. The challenge is that these efforts are often drowned out by a culture that rewards negativity over substance.

If we want better cinema, we also need better conversations about cinema.

Content creators have a responsibility to be honest. Audiences have a responsibility to support meaningful discussion. Without those two things, the loudest voices will continue to be the most negative ones.

Good cinema depends on good audiences. The same is true for film criticism and content creation. Until viewers stop rewarding outrage and start supporting thoughtful discourse, this cycle is unlikely to change.

After Thalapathy Vijay announced that his next film will be his last due to his foray into politics, there have been lots of speculation about who the next Superstar in Tamizh cinema would be. Vijay himself in is speech mentioned passing on his baton to Sivakarthikeyan (SK) but again the discussions are still on. Lots of YouTube media channels have also had discussions to analyse as to who will take over and become the next superstar in the coming years.

The discussions are hot at the moment after the grand success of Amaran recently in theatres. Funnily enough Amaran isn’t the typical Tamizh superstar film. The speculation about SK becoming the next superstar is at it’s peak though after this success. The bane of Superstars in Tamizh cinema though is that once you become one your range and options in the commercial space decreases. Even though this is not the case with Malayalam cinema, Tamizh, Kannada and Telugu cinema superstars face this fate. For example Mammootty can remain superstar in Malayalam and still do movies like Kaathal, Peranbu, Nanpakal Nerathy Mayakkam kind of films but in other Southern industries superstars cannot do that.

Lets take Superstar Rajinikanth for example, he has been trying to branch out and make different kind of films but has not been that successful. His recent Vettaiyan was a different kind of film for the superstar but wasn’t that kindly received by the audience who wanted more mass which apparently was missing in the film. Technically if you see Tamil Cinema has only had 4 genuine superstars, MGR, Rajinikanth, Vijay and Ajith. I wouldn’t place Sivaji Ganesan, Kamal Hassan, Suriya, Vikram etc in that space as they never compromised on content and always did different films through their careers. If Vikram and Surya became superstars they wouldn’t have been able to do a Thangalaan or Jai Bhim respectively.

This is the reason I feel Tamizh cinema does not need another superstar. Sivakarthikeyan, Harish Kalyan. kavin etc who are the young stars of Tamizh industry have been dabbling with some different subjects in recent times which has been refreshing. For example SK’s Maveeran is the most original superhero movie in recent times and if he does graduate to become a superstar, he would not be able to do another film like that. Even though Vijay and Ajith have tried to branch out and do something different they still have to remain inside their superstar circle and cannot experiment too much. This kind of creates sameness in the type of content they are involved in. We cannot blame the stars of these states though as the audience themselves do not want to see them in movies which do not present them in larger than life characters.

While the audience is happy to see SK now in a realistic portrayal of Major Mukund Varadharajan in Amaran, they may not be able to see him such roles if he were to become a superstar. With superstardom the budgets increase and the content takes a hit at most times. The movies might collect a lot but again it will not mean it is good cinema. Luckily so far in Tamizh cinema the current superstars have managed to dance around their superstardom to do some different roles which is due to their collaboration with some fantastic young directors but it is not the case all the time. This is the reason I do not want to see another superstar in Tamizh cinema. These young actors should take Vijay Sethupathy as an example and work towards becoming the stars who value the content and do not fear dabbling with different roles. Vikram is an example as well as he can still do a Deiva Thirumagal and Thangalaan without having to worry about his market. If you are a superstar I don’t think you can do that.

For the sake of the betterment of Tamizh cinema, I hope the young actors remain the stars they are and continue to give us fresh subjects and original content like they have been doing over the past few years. I don’t think there needs to be a desperate attempt to create another superstar in Tamizh cinema unless we can treat superstardom like how Malayalam cinema does.

Whenever India’s famous victory at the Gabba in 2021 is discussed, the spotlight inevitably falls on Rishabh Pant’s match-winning heroics. Yet one of the most significant contributors to that triumph was Washington Sundar, a player whose very presence in the playing XI had been born out of necessity rather than planning.

When Sundar boarded the flight to Australia, he was little more than a backup option. India already had Ravichandran Ashwin, who was arguably outbowling Nathan Lyon in the series, and few would have imagined Sundar making his Test debut at the Gabba. But injuries had severely depleted India’s resources by the time the fourth Test came around, and when Ashwin was ruled out, Sundar found himself thrust into one of the most memorable Tests in Indian cricket history.

It was a surprise selection in more ways than one. Sundar had hardly played any first-class cricket in the years leading up to his debut, and questions remained about whether his off-spin was good enough for the demands of Test cricket. India viewed him largely as a like-for-like replacement for Ashwin, a player capable of contributing with both bat and ball.

Thrown into the deep end, Sundar responded admirably.

Bowling on a Gabba surface that offered little assistance to spin, he delivered a disciplined spell to claim the wickets of Steve Smith, Cameron Green and Nathan Lyon. His figures of 3 for 89 in 31 economical overs helped restrict Australia to 369, ensuring India remained in the contest.

If his bowling performance was impressive, his batting was arguably even more revealing.

Walking to the crease with India still staring at a substantial first-innings deficit, Sundar displayed a level of assurance that belied his lack of experience. After Pant’s dismissal, he joined forces with Shardul Thakur in what proved to be one of the defining partnerships of the match. Their counterattack not only rescued India from a precarious position but also laid the foundation for the famous chase that followed.

What stood out wasn’t merely the 62 runs Sundar scored. It was the manner in which he scored them. Against a quality Australian attack, he looked composed, technically sound and completely unfazed by the occasion. Rather than batting like a lower-order all-rounder, he looked every bit a genuine middle-order player.

The signs continued in the home series against England later that year. Sundar contributed valuable runs again and, at one stage, averaged more than 66 with the bat in Test cricket. While his bowling remained a work in progress, India appeared to have discovered a valuable all-rounder capable of strengthening the balance of the side.

Then came the setback.

Just as his Test career was gaining momentum, injuries halted his progress. Sundar disappeared from the red-ball setup and spent the next few years battling fitness concerns while re-establishing himself through domestic cricket and white-ball formats.

His recent return against New Zealand, however, offered a reminder of why so many people had been excited about him in the first place.

The headline numbers, a stunning 7 for 59, immediately grabbed attention. Conditions in Pune undoubtedly favoured spin, but it would be unfair to dismiss the performance as merely a product of the pitch. More encouraging than the wickets themselves was the improvement in his craft. Sundar looked more confident, more controlled and far more threatening than the bowler who made his debut three years earlier.

That development could be significant for India.

Replacing a cricketer of Ashwin’s stature is impossible. Players with more than 500 Test wickets do not come around often. But Sundar offers India a different kind of value. He is a capable top-order-quality batter who can bowl meaningful overs, provide balance to the side and contribute in multiple phases of a Test match.

India’s future will not depend on finding another Ashwin. It will depend on discovering players who can build their own identities.

Washington Sundar has the talent to be one of them.

The Gabba showed India what he could become. His comeback against New Zealand suggests that promise remains very much alive. The journey is still in its early stages, but after years interrupted by injuries, Sundar finally has another opportunity to establish himself in the format where he first announced his arrival.

For both Sundar and Indian cricket, that is an exciting prospect.

The year 2022 has been really poor for Bollywood as far as box office successes go. Very few films have actually done well and majority of the big star films have tanked badly this year. Majority of the media and critics have attributed this lack of success to the “Boycott Bollywood” trend which is being run by a few on social media. While this may have a miniscule impact on the business of a film but blaming everything on it is just living in denial. It is an easy way out isn’t it? Blame it on some unknown people on Social media for your failures and then continue to repeat the same mistakes. It has not been all doom and gloom for Bollywood though, they have had their successes through “Kashmir Files”, “Gangubai Kathiawadi” and “Bhool Bhulaiyaa 2”. If social media could influence people to boycott films, the above movies wouldn’t have been successful. Before people brand me as a hater, let me tell you that I grew up in Delhi and even though I am a Thamizhan, I grew up watching Hindi films more than Tamizh. Sure over the past decade or so that has changed as the content from Hindi does not excite me anymore except for few films here and there.

Here is my take though as to what is causing these failures.

Arrogance of the Bollywood Actors:

The actors in the Hindi film industry have always come across as arrogant and as someone who don’t give too much importance to their fans who support them unconditionally. Recently someone said that star power alone cannot bring audience to the theatres anymore in Bollywood, which is absolutely true. If the movies which released this year had released pre-pandemic, most of them would have been huge successes but again things have changed a lot recently. The biggest difference between the Southern stars and Bollywood is their relatability and humbleness. Something which is completely absent in majority of the current Bollywood stars. For example a statement like what Arjun Kapoor gave in his recent interview would never come out of any South Indian actor, star or not. The accessibility to more South Indian stars and their movies during the pandemic has caused this transformation in the Hindi audience which seems new to the stars Bollywood. An entire fraternity who has taken the audience for granted have now realised how important they are and why they should take them seriously. This is one of the major reasons why the Hindi films aren’t pulling in the crowd just by star power. This is the time to change and probably a change in attitude is warranted for the entire Hindi industry who has so far neglected their core audience and had started to think they are moving west with their content.

Remakes and lack of good content:

The second and most important reason for audience not coming to theatres is that most of the movies which has come out in theatres from Bollywood has been either remakes of famous South Indian movies or have been outdated content. Over the past 2 years Hindi audience have watched a lot of South Indian content on OTT and on YouTube and when you bring the same movies with just Hindi actors to theatres, the fans would obviously reject the same. When they see great content from other Industries in the country, the audience want something different from Hindi cinema as well which so far hasn’t happened this year. This is the major reason for audience to not show up in theatres as the non-remakes which have come to theatres this year have been outdated stories which the audience have seen multiple times in the past. When Bollywood starts making good content and if the word of mouth is good, I am sure the fans would rush to the theatres, “Boycott Trend” or not.

Rooted stories relatable to Indian Audience

Long time ago, Bollywood had stopped making content for Indian audience. The content made in Hindi cinema had started to cater to western sensibilities about 20 years ago. I agree that there are few directors like Anand L Rai and Anurag Kashyap who make rooted content but those are very limited. A regular movie goer will never relate to majority of movies made in Hindi cinema. The audience were accepting what was being served by Hindi cinema until couple of years ago have learnt now that you can make entertaining films while staying rooted to your region and culture. This is where South Indian cinema has always done well. The movies are always rooted in the local culture of the state which makes it easier for the audience to connect. Most of the Hindi films aren’t relatable to the audience which has made them distant from the content, no matter how good it might be

There is also some section of the audience who feel Bollywood spreads Hindu phobia which may be valid in some cases but that isn’t the major reason for the movies not doing well.

Bollywood has two of their biggest releases in the coming months. Brahmastra releasing today and Vikram Vedha releasing at the end of this month. Both these movies boast of great content and performances. The success of these two movies will further emphasize that good content will always succeed and audience will always want to watch such cinema.

The creators in Bollywood had gone into this comfort zone of not trying anything and just sticking to what they have been doing for years while all the other industries have moved ahead. They also had formed this arrogance and not caring about the viewers over the years and this year has been a reminder that audience is everything. If you disrespect them or take them for granted they will not respect or support you back. I hope this year has been that lesson for Bollywood and they will make some changes for good. Also they need to understand that just because Brahmastra or Vikram Vedha succeed doesn’t mean that they are off the hook and keep releasing substandard content. The audience will still reject that irrespective of who is starring in it.

I haven’t written in a while and when I sit down to write this I feel a bit rusty. I last wrote a piece during the 2019 World Cup and it has been more than a year since I even logged into my blog. A India trip happened at the end of last year and when we came back we never thought the chaos this year would turn out to be. When we first heard of COVID-19 late last year we did not realise it would bring the entire world to a halt.

I feel lucky that I was able to get back to India in over 10 years finally before everything went down. The entire 2020 has been really hard for everyone around the world and I am sure everyone wants this to end soon. For now though the only thing we can do is stay safe and follow the safety precautions as prescribed by the Government of the country we live. In Australia though we have been lucky especially in South Australia as the local Government has been brilliant in arresting the spread with good proactive management.

But again for me though this has also made me realise that we should never stop things we love to do. Life isn’t predictable and you never want that regret. I am back to writing again. Even though it might be difficult for me to write as often, I will be publishing as often as I can. The cricket has already started which is great and I do have few things to share regarding the same.

The IPL starts this month and India would be resuming their International cricket with a tour to Australia later this year. Even though watching cricket isn’t going to be the same for a while, it is great that we are getting to see some good games coming our way.

Till next time stay safe and stay indoors.

Sammohanam-1-700x540

Beautiful Aditi Rao Hydari from Sammohanam (Pic courtesy pinkvilla)

Let me start off with a confession, I haven’t watched any of Aditi Rao Hydari’s Hindi films except for Murder 3 few years ago. So, when I saw Mani Ratnam’s “Kaatru Veliyidai” last year, I started off with a clean slate. I was mesmerised with Aditi’s portrayal of Dr. Leela in Mani Ratnam’s rather confusing romantic tale between a fighter pilot and a MBBS doctor.

But watching Sammohanam last week further emphasised what a brilliant performer Aditi is. I don’t think anyone could have played the role of Sameera Rathod as brilliantly and gracefully as Aditi did in the film. I am not for once saying that Sammohanam is a classic, it was far from it. It was a feel-good entertainer which had a brilliant first half and a bizarre second half. The performances from the cast though cannot be faulted.

There were couple of scenes from the movie which lingers in my mind still, one where Sameera and Vijay have a conversation in the terrace and the other when Sameera hears Vijay say “I love you” in the climax and breaks down. Both those instances showed the range Aditi possesses as an actor and her ability to bring the right kind of emotion to every scene. Even in a space thriller like “Anthariksham”, which I watched yesterday only because Aditi was in it, he performance was brilliant and I really enjoyed her ability to speak through her eyes. Not many actors currently can do that.

Thanks to Mani Ratnam for bringing Aditi back to South Indian films. I am saying bringing back as she had begun her career down south in 2006 before moving to Hindi films. This is a fantastic time for female actors down south especially in Tamil. There are some strong characters being written for women by the young directors and the producers are now receptive to scripts with strong female leads. Even though Malayalam cinema has been doing this for a while, Tamil industry is finally catching up. Aditi Rao Hydari is a brilliant actor and I hope she gets more amazing characters to portray in the future. I also hope that she does more films down south as well as in a short career, she has managed to do some memorable roles here.

I haven’t still caught up Aditi’s Hindi films, and probably will do so in coming months. I just got done with her two Telugu films but her Hindi filmography is little longer, so will take a while for me to get to them. I also don’t normally write articles raving about actors on my blog but again Sameera Rathod of Sammohanam compelled me to write this and I am now a huge fan.

School memories are special for everyone. Everyone at some point in their life when they look back, School forms major part of their lives. For me though I don’t remember much about my first 7 years in school. It just feels like a hazy blob without much structure, so let me directly skip to 8th grade of my school life. My parents both worked in a bank so transfer was a normal occurrence. This time they were posted to a rural branch close to Cuddalore. Since Cuddalore was a closest town/city to their branches we decided to make that our home for the next few years.

For me though moving wasn’t alien as we had already moved from Delhi to Chennai when I had completed my second grade. Cuddalore was a nice small town, it had 2-3 major schools, 4-5 theatres, some beaches and overall a good vibe. The biggest challenge for me was always adjusting to the new school. Even when I think about it now, 8th grade in that school X (Let’s call it that) in Cuddalore possibly was the reason I went in to my shell even more. I was never an extrovert but again the experience in that school in Cuddalore possibly pushed me over the edge.

I was never a brilliant student let me be very clear about the same, I did okay in my studies and probably sometimes punched above my weight. This is not to say I wasn’t interested in studies but I needed some good guidance and teaching to understand the concepts better when compared to others. I wasn’t in the top 20% of the class, nor was I in the bottom, I was somewhere in the middle. The Indian school system is brilliant for the students who are probably in the top 20% but have no proper method to deal with the rest.

Going to a new school that too in a place you are not familiar with was a daunting experience. I was new to the town, did not know many people and me being an introvert did not help either. Making friends in that school was tough. I don’t know for some reason the students in the class saw me like an alien and it was hard to gel with them. I had some terrible experiences in the class and I felt miserable throughout the year. Thanks for my one friend, let’s call him V who helped me to get through that nightmarish year. V was the typical top 20% student in the class but also was a great guy as he did not make friends only on the basis of marks and ranks. I also had my neighbour let’s call him JP, who became great friends with me when I moved in and we spent lots of time together and kind of shared similar problems at school.

There were some bullies in school and the fact that I wasn’t doing great in the class did not help matters either. The teachers in that school weren’t very helpful either. I wasn’t grasping the concepts and it became difficult to concentrate on anything without understanding what was going on. Maths became the toughest of all for me through the entire year and I really struggled. I still remember the one day when in the chemistry class, the teacher asked me a question and I did not know the answer. The guy practically humiliated me in front of the class by repeatedly asking me more questions, making fun of me along the way and also suggested something like I did not belong in 8th grade. That episode kind of left a deep scar in me and it made me to never ask any questions in the class even if I had a doubt.

The funny part is that the teachers in India do not realise that each student has different needs and all of them cannot grasp things at the same level. Scolding or hitting someone for not understanding something will not make them to understand it better. In such situations students do couple of things, one they try really hard to understand things on their own or resort to blindly mugging up the answers without understanding the concepts.

It is kind of inspirational for even me as to how I was able to turn a corner as the year progressed with all the subjects except for maths. I was able to improve through lots of hard work and dedication and was even appreciated by my class teacher in the class. That was one of the very few proud moments in that year. I should hand it to the math teacher though as she was the only person who actually thought she should do something about my troubles with her subject. She offered to spend some time after the school hours to teach me the concepts which she could not do in the class and it really helped me a lot. I really thank her for that. So the absolute nightmare which was the 8th grade was finally coming to an end and we were nearing the finals. My continued struggle with Math meant that I needed to do well in the finals to actually pass the year and my friend JP who had already failed a year had to pass this year to save some face with his family.

We both approached the final exams with lots of sincerity and thanks to my sister who spent a lot of time with me before the math exam, I think I did reasonably well and felt confident of the results. Exams were over and the summer break had started and I was extremely relieved to have gotten that break. Two months had passed after the exams and this was the time people get their results in the post. Those days it would be a post card from the school which will say either “PASS” or “FAIL” in it. Strangely both for JP and me the card never arrived. We spoke to some of our fellow students and realised that all of them had received them and my only friend V from the school had also received the same. Now both of us started panicking and did not know why we did not get the results. We decided to go to the school and check it out and since the school was closed for the summer break no one was in there.

When we started to reminisce what could be the problem we realised that couple of months ago we had a small tiff with the local post man. I don’t remember the exact reason though now but that was the reason for our cards not getting delivered. Both of us immediately reached the local post office and stood outside and spoke to few post men there and they advised us to apologise to our post man. We went in apologised to him and he finally handed over the card to us. The guy got a sadistic pleasure which we could see on his face when we came in all panicky looking for the results. We just gave what he wanted and he handed over the cards. All this was happening while we both still had no clue what that card said. When we finally got our cards, we saw the four letters we wanted to see “PASS”. The year was a total nightmare and possibly one of my worst school year and it rightly ended with equally stressful week or two.

Even though I felt happy for myself and JP I was dreading the fact that I need to go to school again in few weeks and have to spend another year with the same bunch of guys who made my life miserable the year before. I was just hoping for a better school year ahead and probably some new faces and friends when I start my 9th grade. All in that I was happy that I at least had V who would be with me in the year to follow as well. With that thought in mind I continued to enjoy the rest of the break with JP and rest of my neighbour friends who were fantastic by the way while waiting for another year in School X.

The Indian squad for the upcoming Champions Trophy 2017 was finally announced after threats from BCCI to pull out.

India will begin their title defence on June 4 with a game against their arch-rivals Pakistan.

The Indian squad has as much as 9 players from the victorious 2013 campaign.

Please click here to read the full article.

Now that IPL is out of the way, focus shifts to the 2017 Champions Trophy, kicking off on June 1 at The Oval, where the hosts take on Bangladesh.

Australia have won the tournament twice and are one of the favourites to lift the trophy. Most Australian players were involved in the two-month-long IPL and have just few days to recuperate before they play their first warm-up game, against the Sri Lankans.

Read the full article at The Roar