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Most of star/movie promotional interviews in Tamizh are cringe

Posted by: on: January 6, 2023

Interviews are dime a dozen these days on YouTube but again only a few of them are actually watchable. There are so many channels these days on YouTube and on TV that there is some interview either for movie promotions or just a chat with an actor almost everyday. While there are lots of interviews there aren’t many with substance. The interviews mostly at least in Tamizh are boring, unimaginative and sometimes downright embarrassing.

Previously there were a handful of Satellite channels but now there are so many of them that there is always a competition to put up a click bait headline go get views for the video. Most of the interviewers do no homework on the actors career and come up with mundane questions for which we get robotic responses from the actors. Not all interviewers are bad, some of them are brilliant like Baradwaj Rangan, Abishek and Rukshanth to name a few but again there aren’t many.

Here are some of the issues I have about especially Tamizh interviews (I don’t watch other language interviews much to form an opinion on them. Just a disclaimer before someone attacks me)

Too much hero worship:

Most of the times the conversations with famous stars become a ego massaging exercise more than an actual interview. Most of the anchors go overboard with praises which sometimes even make the actors uncomfortable. The interview does not offer anything to the audience who watch it other than to give satisfaction to the fanboys of the stars. Most of the times I do not even watch after the interview after the first few questions as I know how it is going to go.

No research or homework done

Most of the interviews have repetitive questions and we get standard answers from the stars. There is no research or homework done about the movie the actor is promoting or about the career to actually ask meaningful questions. The stars mostly go through the motions and most of these interviews turn into boring one with the anchor trying to fish for some click bait title for the video on YouTube.

Female actors completely ignored in interviews with the movie crew

When we have the movie crew come in to promote a film, the fixation of the anchor on the male star of the film is jarring. The female actors are ignored completely to a point where we can actually see them bored out of their wits. This not only happens with newcomers but also with established actors. The Tamizh anchors are notorious in doing this if you follow movie crew interviews closely. Suddenly they will remember that there is a female actor and resort to some mundane questions like “How did they get a chance to act in this project?” and then, wait for it as this is a brilliant question, “How was it to act with the hero of the film”, once these questions are answered, they will be back to the male stars. This becomes worse for female actors who cannot speak the language. It is not their fault that they cannot speak the language. The fact of the matter is that most of the anchors just don’t bother to do any homework on the female actors careers to actually ask any meaningful questions.

Female actors asked about male stars in their interviews:

This is the worst of all. Even when female stars/actors are interviewed the questions to them will be to share their experiences acting with multiple male superstars. The if they run out of questions about male superstars, they will ask the female actors when they are getting married or what kind of life partner they are looking for etc. These interviews are the most cringe of all. You just cannot sit through it. It is almost like these actors have done nothing in their careers to have a conversation about.

Tamizh anchors need to learn how an interesting interview can be conducted. May be watch videos of a Baradwaj Rangan or Abishek or even someone like Rukhshanth whose recent interviews with couple of female stars were brilliant and fun to watch. The anchors that I mentioned above don’t ask monotonous questions and actually come with proper research about the actors career to ask questions which keeps the celebrity as well as the fans interested.

Yeah praising stars and getting praise out of others about a star for a click bait title might please some fanboys but again that is not all there is for an interview. YouTube channels themselves need to strive hard to give better content to the audience. These days I don’t watch any interviews as they are boring. An actor from a big film will be interviewed but the entire conversation will be about the star in the film and not about the actor who is being interviewed. This needs to change in Tamizh media and channels need to realise that just the ability to talk does not make someone a good anchor.

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Boycott trend not the reason for Bollywood failures

Posted by: on: September 9, 2022

The year 2022 has been really poor for Bollywood as far as box office successes go. Very few films have actually done well and majority of the big star films have tanked badly this year. Majority of the media and critics have attributed this lack of success to the “Boycott Bollywood” trend which is being run by a few on social media. While this may have a miniscule impact on the business of a film but blaming everything on it is just living in denial. It is an easy way out isn’t it? Blame it on some unknown people on Social media for your failures and then continue to repeat the same mistakes. It has not been all doom and gloom for Bollywood though, they have had their successes through “Kashmir Files”, “Gangubai Kathiawadi” and “Bhool Bhulaiyaa 2”. If social media could influence people to boycott films, the above movies wouldn’t have been successful. Before people brand me as a hater, let me tell you that I grew up in Delhi and even though I am a Thamizhan, I grew up watching Hindi films more than Tamizh. Sure over the past decade or so that has changed as the content from Hindi does not excite me anymore except for few films here and there.

Here is my take though as to what is causing these failures.

Arrogance of the Bollywood Actors:

The actors in the Hindi film industry have always come across as arrogant and as someone who don’t give too much importance to their fans who support them unconditionally. Recently someone said that star power alone cannot bring audience to the theatres anymore in Bollywood, which is absolutely true. If the movies which released this year had released pre-pandemic, most of them would have been huge successes but again things have changed a lot recently. The biggest difference between the Southern stars and Bollywood is their relatability and humbleness. Something which is completely absent in majority of the current Bollywood stars. For example a statement like what Arjun Kapoor gave in his recent interview would never come out of any South Indian actor, star or not. The accessibility to more South Indian stars and their movies during the pandemic has caused this transformation in the Hindi audience which seems new to the stars Bollywood. An entire fraternity who has taken the audience for granted have now realised how important they are and why they should take them seriously. This is one of the major reasons why the Hindi films aren’t pulling in the crowd just by star power. This is the time to change and probably a change in attitude is warranted for the entire Hindi industry who has so far neglected their core audience and had started to think they are moving west with their content.

Remakes and lack of good content:

The second and most important reason for audience not coming to theatres is that most of the movies which has come out in theatres from Bollywood has been either remakes of famous South Indian movies or have been outdated content. Over the past 2 years Hindi audience have watched a lot of South Indian content on OTT and on YouTube and when you bring the same movies with just Hindi actors to theatres, the fans would obviously reject the same. When they see great content from other Industries in the country, the audience want something different from Hindi cinema as well which so far hasn’t happened this year. This is the major reason for audience to not show up in theatres as the non-remakes which have come to theatres this year have been outdated stories which the audience have seen multiple times in the past. When Bollywood starts making good content and if the word of mouth is good, I am sure the fans would rush to the theatres, “Boycott Trend” or not.

Rooted stories relatable to Indian Audience

Long time ago, Bollywood had stopped making content for Indian audience. The content made in Hindi cinema had started to cater to western sensibilities about 20 years ago. I agree that there are few directors like Anand L Rai and Anurag Kashyap who make rooted content but those are very limited. A regular movie goer will never relate to majority of movies made in Hindi cinema. The audience were accepting what was being served by Hindi cinema until couple of years ago have learnt now that you can make entertaining films while staying rooted to your region and culture. This is where South Indian cinema has always done well. The movies are always rooted in the local culture of the state which makes it easier for the audience to connect. Most of the Hindi films aren’t relatable to the audience which has made them distant from the content, no matter how good it might be

There is also some section of the audience who feel Bollywood spreads Hindu phobia which may be valid in some cases but that isn’t the major reason for the movies not doing well.

Bollywood has two of their biggest releases in the coming months. Brahmastra releasing today and Vikram Vedha releasing at the end of this month. Both these movies boast of great content and performances. The success of these two movies will further emphasize that good content will always succeed and audience will always want to watch such cinema.

The creators in Bollywood had gone into this comfort zone of not trying anything and just sticking to what they have been doing for years while all the other industries have moved ahead. They also had formed this arrogance and not caring about the viewers over the years and this year has been a reminder that audience is everything. If you disrespect them or take them for granted they will not respect or support you back. I hope this year has been that lesson for Bollywood and they will make some changes for good. Also they need to understand that just because Brahmastra or Vikram Vedha succeed doesn’t mean that they are off the hook and keep releasing substandard content. The audience will still reject that irrespective of who is starring in it.

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Have quality of movie reviews dipped in recent times?

Posted by: on: July 23, 2022

I grew up predominantly in the 90’s. My early tryst with movie reviews were through newspapers. We lived in Chennai and Hindu’s Friday feature was the only way to get a movie review at least till mid-90’s before satellite TV took over. Even though there were movie reviews in print in the 80’s & 90’s people went to the theatres solely based on either the cast or the director. Tamil cinema is one of the few industries where directors have the same pull as the actors. For example in 70’s & 80’s K Balachander, Mahendran, Balu Mahendra & Barathiraja had their own following and people will flock to theatres just to see their films. Even when movie reviews were prevalent in the print media in the 80’s word of mouth was still the preferred way of people finding out about the quality of a movie.

For example when a Rajini film released no one cared about reviews, you will see people standing in long queues to watch a film. Same with Kamal Hassan and other big stars. Once the first few shows were over, the audience talk will what will decide the fate of a film. Things have changed drastically over the past decade and with the advent of social media reviews are almost instant. While the audience post their reviews on Twitter while watching the film, there are 100’s of YouTube channels reviewing the movies as well. To be frank I have lots of respect for people who have their own YouTube channels. It takes courage to put yourself out there and talk about anything. There are a few creative channels while most of them are either reaction channels or movie review channels.

There are a few professional ones working for famous publications while others who have garnered subscribers through their content. I have no way of knowing credentials of any of these so called “Film experts” by just looking at their content though. It is very important for anyone who is reaching out to a large audience to understand that movie reviews are basically personal opinions. Something the experts these days seem to have forgotten. The popularity of their channel or the subscribers they have seems to have completely gotten to their head which makes for some cringe movie reviews. As a consumer of such reviews, the only thing I want to see is what the reviewer thinks about the film, what he/she likes or dislikes about the movie. I am not there to see some agenda driven rant or the reviewers trying to show off their knowledge of film making. As a common man I care a damn about some of the content of the reviews as it does not matter to me.

Also as a reviewer you need to steer clear of generalising. Everyone has the right to say they don’t like the movie but they cannot be under the illusion that they speak for others. The reason these “experts” have a huge following is because people actually respect their opinions. When that happens it also becomes the responsibility of the reviewers to stay balanced when they review the movies. Using their popularity to further their agenda or someone else’s agenda isn’t very ethical and that is the reason I steer clear of few of these channels these days.

The other irritating part about these YouTube channels is that they go looking for controversy as soon as some update on a movies comes about. A film releases it’s first single or a look or a teaser they immediately go on the streets with a mic and a camera asking people on the streets their review. Reviewing a movie is a tough art and being balanced is even tougher. I have hardly seen a few reviewers who give their opinion and let the audience make a call whether they would like to watch a film. That’s how it should be as trying to influence the audience is not why you review a movie.

The one thing everyone needs to understand is that there is nothing called a perfect film. A movie which is perfect for someone might not be for someone else. A film succeeds because there is something which keeps the viewers entertained throughout its runtime. That is exactly what the audience wants. Most of the reviews these days feel like they come right out of a film school. While it is good to show off your knowledge of film making, I feel that should be in a separate video and not in the review itself.

The biggest disappointment for me though is that while technology wise we have come a long way, the quality of movie critics has fallen in recent times. Things aren’t going to change much as in this age of competition people are ready to present controversial content to gather more views and subscribers. When that is what these channels aim for, you cannot expect them to give quality content to the viewers. The sad part is that the viewers also have gotten used to these substandard and agenda driven reviews that they seem to think that this is the norm. I have stopped watching majority of the review channels and only follow a few who I think try to provide balanced take on a film and leave rest to the viewers.

What do you think about movie reviews these days? Do you think they provide you with balanced views on a film? Or do you think they try to push their agenda on their viewers?

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Pan-India struggles for Tamizh Cinema & lack of promotions

Posted by: on: July 23, 2022

I grew up in the 80’s and 90’s, so I have seen both the Doordarshan times as well as the satellite television boom in the mid-90’s. Before Satellite television came to India in the early 90’s movie stars were extremely elusive to the fans. They were like this larger than life hero figures in the mind of the fans who only appeared in films. In those times this actually helped a lot with success of films for these stars. This is how the star culture was formed. Fans who do not see their heroes other than on movie screen or posters rushed to theatres to watch them on the big screen.

In a way Tamizh cinema still has that star value. The elusive nature of the Tamizh stars has always worked in their favour. You would normally not see Rajinikanth, Vijay, Ajith or any major superstar making too many public appearances. This surely has helped them to maintain that culture which we see in some of the next generation actors as well. This means that most of the movies in Tamizh cinema comes with little or zero promotions, especially the big star films. For example Vijay’s interview for Beast earlier this year was his first in years but again you can say that he at least appears for audio release functions.

This lacklustre promotions from the stars has trickled down to the female leads and the supporting cast as well in Tamizh cinema. In recent times we have seen majority of the cast not being present for any promotions of a film. For example “Vikram”, the industries biggest hit this year had no promotions from any of the cast except for Kamal Hassan, Naren and Gayathrie. Recently Aatharva’s “Kuruthi Aatam” released after lots of struggle but again except for the hero and the director, none of the others were involved in any promotions for the film.

The biggest issue though hampering Tamizh film industry is that the release of a film is unknown to anyone at most of the times. The director of “Kuruthi Aatam” said in an interview that he just knew a week before that his film is going to release. We see a trailer released for a film and hope it will release in the near future but we end up seeing the movie a year or two later in theatres. This also causes issues for the cast to make themselves available for promotions. I understand that getting screens and taking the movies to the audience has become a huge problem in the industry but again the makers are making it difficult for their movies to succeed if there isn’t enough time to market their films. You might have a great product but if the audience don’t know about it, they are not going to come and see it. This is the era of OTT and you need to reach the audience big time if you want them to leave their home to watch a film. The big star films are fine as the fans will come in huge numbers just by watching a good trailer, but again that is not true for smaller films.

The other elephant in the room for Tamizh cinema is the Pan-Indian films. If we look in the past, Tamizh film industry was kind of the pioneers for Pan-India success. Manirathnam had Roja and Bombay and then we had Shankar’s Indian, Robot & 2.0 all being successful ventures all through the country. The biggest thing Tamizh movie makers need to learn now is that not all films are going to be successful when released through the country. The recent success of Telugu & Kannada cinema has taught us that there are certain type of films which appeals to the Hindi speaking public.

The Tamizh actors are extremely lucky as they have formed a great market in Southern states especially in Kerala, Andhra Pradesh & Telangana but that’s not the case with Hindi audience. Yeah some percentage of the population knows some of the Tamizh actors through their dubbed films on TV but again that is not going to help sell the films there. The first thing is the content. It is very important as to what movies we are dubbing in Hindi language. The kind of cinema which would mostly work is Big mass masala films like Bahubali 1 & 2, Pushpa & KGF or Movies about our Indian culture like Karthikeya 2 or Nationalistic films well made like RRR. The second most important factor is promotions. People might say that Nikhil did not promote Karthikeya 2 nor did Dulqar for Sita Ramam but again these films did great in the Hindi market.

The reason for the same is that Telugu cinema has created a lot of goodwill with the Hindi audience. They have released the right kind of films with the right kind of promotions which has made the audience there to take notice of any film which comes from that industry. This is what Tamizh cinema has failed to do in the last few years. We are thinking like in the 90’s when Roja, Bombay, Indian succeeded we can just dub a film and release a trailer 10 days before the release and that will bring the audience to the theatre. It does not work that way now. In the 90’s before Satellite channels, just movie posters were enough to sell a film to the audience and if released at the right time people used to come to theatres. They did not have the alternatives they have now in terms of OTT or TV which meant that they had to look at cinemas for entertainment.

Now in this era where marketing and promotions are crucial just dubbing a film and releasing it in any language isn’t going to work. Tamizh cinema also has this very poor trend of releasing movie trailers just a week or 2 before the actual movie release giving the actors just about 6-7 days to do the promotions. That may work in Tamil Nadu but will not work in rest of the country. For example “Naane Varuven” movie touted to release on the 29th of September just saw a teaser release on the 15th of the same month. That is ridiculous but again Dhanush’s popularity means that the audience will make it to the theatres despite no promotions.

In the past 2 years we just dubbed Master, Valimai, Beast etc in Hindi and released them in theatres without any promotions. Most of the Hindi audience don’t even know what these films are, so you cannot expect them to come to theatres. For Vikram, Kamal tried his best but again the time for promotions was very less and he was the only one doing the same. If Tamizh cinema are really serious about going Pan-India with their films, they need to take a leaf out of Telugu and Kannada industry. They need to see how they promoted their films over the past few years and how they have made a market for themselves all over the country. I think the problem lies with the producers who want the film to go Pan-India but again cannot convince the actors to actually promote the films

Tamizh cinema needs to wake up and realise that the method which has been working for them for decades in the state isn’t going to help them sell films to different audience across the country. The producers should stop advertising a film as Pan-India if the actors aren’t game to aggressively promote their films all over the country. If the actors are happy to just have their films release in southern states, so be it, the producers to make the films for just that audience. The next big film which is going Pan-India is Ponniyin Selvan (PS1). The director is Manirathnam who has had huge success across the country with his films. The film is just 2 weeks away from coming in theatres but we haven’t seen any promotional activities. The movie is clashing with one of the biggest Hindi films of this year, Vikram Vedha and the crew is still not taking this seriously it seems.

PS1 is a film which has a possibility of succeeding all over India. It has a theme of Indian history which Hindi audience like and with right amount of promotions this might become Tamizh cinema’s biggest hit of the year. The only good thing about the cast of PS1 is that everyone is game to promote the films. Vikram, Jeyam Ravi and Karthi always promote their films well which works in favour of the makers. The film will take a huge opening in Tamil Nadu as it is our history and we will for sure flock the theatres to watch the film but again the film needs to be promoted aggressively in other states for it to succeed. Manirathnam has done this in the past with his Hindi films so I am hoping that he understands what needs to be done to take his film to the nook and corner of the country.

To be frank if PS1 fails in Hindi, I don’t think we have any chance of getting a successful Pan-Indian film in the future from our industry. The film has the right content and the right actors to go all out to take the film to the audience, so if this fails that means it will be on the makers to not give enough time for marketing. The good thing is that the movie stars Aishwarya Rai in an important role which means that there will be promotions at least in Mumbai but I don’t think that will be enough. If PS1 succeeds it might give a template to other makers from Tamizh cinema as to how to promote films which they seem to not aware of due to the no-marketing culture in the industry. The stars need to wake up and smell the coffee. They get paid ridiculous amount of money to act in a film and I feel they need to make an effort to help out the producers if they want to go Pan-India with the content.

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Bollywood and Media, Stop maligning Sushant

Posted by: on: September 11, 2020

Let me start by saying that every one has a right to take a stand and support whoever they want. The problem is not the choice the industry has made, it is the way the they have handled the entire situation. The same people who have issues with the way Republic media has handled the case have gone on a rampage in attacking a man who is no more. A man who is loved by millions across the world and a man who cannot defend himself during this barrage.

Not a single person who is maligning Sushant know the man personally. Mr Anurag Kashyap says he had some issues with him professionally but he himself can admit that he did not know Sushant during the last year or so of his life. Taapsee Pannu says she does not know the star personally but has no problem in claiming that Sushant would have ended in jail if he was alive. I am not a Bollywood fan and despite my Delhi roots, I never liked the industry. The reason is not because of it’s content or talent but it is due to the hypocrisy which runs deeply within the industry.

The people who claim to have issues with the narrative of Republic have taken the same route themselves. Maligning someone who has lost their life and cannot speak for themselves is much worse that what you accuse the media of doing. It is fine to support anyone and raise your voice for a cause you believe in but at the same time you need to think if what you are doing is any different to what you claim to have issues with.

There is a family who lost their son, there are sisters who lost their brother, there are fans who lost their favourite star but none of you have any consideration regarding the same. Rhea still can defend herself and come out of this mess if she is not guilty but Sushant is never coming back, so the lack of sensitivity is jarring. Support or back whoever you want but stop tarnishing the legacy of a guy who had nothing but love for his fans and was respected and liked by all his co stars and technicians.

Mr Kashyap, has shared some meaningless chats to defend his choice of support. The only thing it showed was that he had problems with Sushant. Not even sure why he needs to defend himself if he feels right about the stand he has taken. Sushant isn’t here and he cannot put out counter chats to prove himself, so Mr Kashyap needs to understand this chat proved nothing and has no meaning in the overall picture. The only thing this showed is that he can hold a grudge for a long time which isn’t a great trait to be boasting about. At least Republic has taken a stand and has stuck by it and is ready to face any backlash they may be getting, Bollywood on the other hand want to take a stand but aren’t able to take the backlash that comes with it. This means they have taken the route of going on a slander campaign against the star which a certain media outlet has done as well.

Like I said earlier in this blog, I never liked Bollywood much but I still watched movies of Anurag Kashyap or Taapsee Pannu but now I have no urge to watch any Hindi film. The decision has nothing to do with the industry’s overwhelming support for Rhea, far from it. I just cannot take this hypocrisy anymore. Sushant was an actor I respected and loved and it was fitting that the last Hindi film I watched was of him.

I just hope people realise what they are doing wrong. People like Rajdeep, Anurag, Farhan, Taapsee, Sonam, please stand up for what you believe in but leave Sushant alone. Raise your voice for what you think is right but stop maligning someone who is no more when you have no clue of what was happening with him during his last days. I am not passing any judgement on who is right or wrong as the law will take it’s course. I am just saying don’t preach if you cannot follow. If you want people to take you seriously at least have some pride and believe in what you are standing up against, If not, your narrative comes out as hollow and meaningless.

I also have a small request for people who are standing for standing up for Rhea as well. Please continue to do so but keep in mind, to support someone you need not malign someone else. No one knew Sushant personally, we are all going by the narratives and counter narratives provided by the media channels. The only truth is that the man is no more, if we had an ounce of sensitivity we would refrain from calling names and hurling abuse.

You are saying #Stopthewitchhunt ,we fans are saying #StopslanderingSushant.

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Vishal, producer’s council and YouTube reviews

Posted by: on: May 23, 2017

The recently concluded producer’s council elections in Kollywood was laced with lots of controversies. Like the Nadigar Sangam elections actor Vishal was in the midst of the action surrounding the election. This article is not about the elections and let me conclude by saying that Vishal was elected as the president at the end of it all. The topic I wanted to touch was the press conference the new members of the council had after the win. Vishal who is the president requested the online reviewers to postpone their reviews by few days to help the movie industry.

It was an odd request to be frank. In this day and age, asking few YouTube reviewers to postpone their reviews isn’t going to stop people from voicing their opinions on social media. If Vishal and the new members think that things can be returned back to the olden days with the reviews being postponed, they are living in a dreamland. Let us for example take 90’s as a case study. I am not a movie historian and don’t have statistics but from my experience (Since that’s the decade I am more aware of), there weren’t so many movies releasing every week. We used to wait for big festivals like Pongal, Tamil New Year and Diwali to see big star movies. Only during such big festivals we used to see multiple movies release at one go. Now coming back to the current decade, there are 3-4 movies release every week. It is even hard to keep track of what the movies are and who is acting in it.

The producer’s council should first regulate the amount of movies being made and make sure that the movie they are producing has decent content. Releasing 200+ movies in a year is not going to help the industry. Some movies which release are so amateurish that it is hard to sit through. New producers wanting to enter the industry need to be educated as to how to choose a script before investing a huge sum of money. It is always easy place a blame on a soft target such as YouTube reviewers and call them as a reason for decreasing audience in the theatres but the truth is far from it.

Reviews are personal opinions, people are free to express their opinion in any platform they want. They are the people who go and spend money to watch the film. It’s not like all films are ripped apart, movies like Managaram, 8 thottakal, Bahubali, Aandavan Kattalai, Power Pandi, Pizza, NPNK etc. all got overwhelmingly positive responses from the reviewers. This is the age of good content and if the industry is producing mediocre content, they cannot cry about decreasing audience. I am not talking about piracy here, which is for a completely different topic. People are going to look for review before watching films and that is going to continue. No one is going to stop that. Taking a family of four to the theatre is an expensive ordeal. People would want to make sure that the expense is worthwhile. When we go to a store, the first thing we do before buying a product is to look for reviews. If majority of the users of the product have given positive reviews people purchase that product. In the age of digital media, you are never going to fight that.

If the content is good most of the reviews are going to be favourable. People do look at multiple reviews before making a call and if a movie is good not everyone is going to bad mouth a film. The producers need to get together and think about what they are producing and what content is being screened to the public. If you want people to watch films, reduce the number of movies being produced, produce good content, educate new producers to invest smartly and give the films enough time to publicize their content before release. These would some of the solutions to get the audience to the theatres. By asking reviewers to postpone their reviews, you are basically saying that even if the movie is bad, since we invested, let the people spend the money like they did in the 80’s and 90’s before they found out that the content was horrible. Sorry Vishal, that is not a solution and audience are never going to fall for that.

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Celebrity Vs Common Man

Posted by: on: January 9, 2014

This is one of my old articles but always relevant in India

My Thoughts

Shahrukh’s recent brawl with the MCA (Mumbai Cricket Association) staff and the security personnel has made the headlines all over. It seems as though the film personalities cannot keep themselves away from the media albeit for the wrong reasons. I was obviously not at the scene of the incident nor do I know what exactly happened and who was at fault. But in India justice and law is different for celebrity and for a common man. Everybody starts judging the common man based on the arrest. Common man probably loses his job for his antics. His life gets turned upside down.

Common Man:

Common man’s kids play on the ground. Security personnel man handles them (According to what Shahrukh told the press). Common man gets angry, screams at them using lots of expletives and pushes them around. MCA staff comes in gets a mouth full from the common man. Police…

View original post 144 more words

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Isn’t it just common sense?

Posted by: on: January 30, 2013

People talk about creative freedom, secularism but for me it boils down to just common sense. The things that have been happening in Tami Nadu are unfair on the brilliant creator that is Mr Kamal Hassan. I am a big admirer of Kamal Hassan’s work. Let me be clear I am no fan boy. I love good cinema and Kamal Hassan has provided that in abundance.

When Viswaroopam released and when I learnt that it deals with terrorism I did not expect it to create such a furor. We have had countless movies releasing in India on similar themes, so I thought this movie will be considered one among them but that is not to be. Viswaroopam was banned by Tamil Nadu government and subsequently by other governments in India and abroad.

I can’t believe that in this day and age people actually believe that a movie can cause security issue. It is sad that one of India’s finest creators has to suffer due to some political agenda.

Kamal Hassan has talked about moving out of Tamil Nadu and even the country if the justice is not served. It will be a shame for the nation/state if such a thing happens. Creative people like Kamal Hassan are nation’s pride. The kind of jewel we all need to cherish and celebrate. India is the only country where their legends are treated with so much contempt. The government needs to wake up and put an end to this madness.

The creative freedom on an actor and creator needs to be upheld. It is sad to see the great man talking about bankruptcy and losing his home. It is even astonishing that the government hasn’t done anything to avert this situation. The perplexing thing is that the Tamil film association has kept mum on this issue. Few actors including our superstar have voiced in their support but as an association they should have stood behind their own.

It is nice to see the support of the fans for the movie. I hope that everyone continues to support the movie and keep our beloved icon in his home state. I hope that the Supreme Court intervenes and overturns the ban on the film. An icon like Kamal deserves better and we cannot let the constitution down.

Kamal Hassan is one of India’s finest actor/director. He has given us numerous classics and is very much responsible for taking Indian cinema overseas.

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Recalls, Wildcards and celebrations

Posted by: on: November 14, 2012

If you watch talent shows on Indian television. You will get the drift.

My Thoughts

Watching an Indian talent show is like watching a mega serial. The concept is same, if it’s doing well, stretch it as much as possible. Sometimes as fan of talent shows as me, it becomes pretty draining and boring to watch. The last show I really followed and watched to completion was Airtel Super Singer 2008. Even that one at one point got irritating but I somehow pulled myself through to watch it to completion.

The major problem with these shows is that, there are so many meaningless episodes. The countless recalls, Wildcards and celebration rounds get on your nerves sometimes. I started watching Hariyudan Naan, the other talent show on a different network and after a while when it started to follow the familiar pattern, I gave up. I had no intention to watch it till the end. It’s funny when the channel tries to justify these extra episodes…

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IPL V – Youngsters watch

Posted by: on: April 25, 2012

The IPL every year gets exciting not for the matches but for the young talent on display. Last couple of years we have had talents like Varun Aaron, Umesh Yadav, Ravi Ashwin, who have already made the transition to the senior side. Let us look at my top 5 young players of the IPL so far. I have only considered players who have gotten limited opportunity at the national level and players who aren’t known that well before this season of IPL.

AM Rahane (Rajasthan Royals)
(Runs: 332, Ave: 47.42, SR: 140.67)

AM Rahane has already represented India at the senior level. He has already played a handful of T20 and ODI games for India and has been fighting for that elusive spot in the Indian middle order. Rahane has been a rare case in Indian cricket in recent times who has not thrown into the limelight due to his IPL exploits. Much like Pujara who made the team on the basis of consistency in domestic cricket he too has forced the selectors to take a look at him with some brilliant batting in Domestic cricket. Rahane representing Rajasthan Royals has begun this season brilliantly becoming the highest run getter so far this year. His batting has been a treat to watch with his silken drives and orthodox cricketing shots. You hardly see him slogging yet he has scored at an amazing strike rate of 140.67. The more I look at him the more I am convinced that he should make the Indian squad soon. Rahane is the only batsmen in the list and he is been brilliant and it shows that there is clearly a day light between him and the rest of youngsters in India at the moment.

Nadeem S (Delhi Daredevils)
(Wkts: 6, Ave: 21.16, SR: 21.0, Econ: 6.04)

A young left-arm spinner from Jharkhand is another player who has impressed this season. Playing for arguably the strongest team this season Delhi Daredevils Nadeem has been able to exert control in the middle overs and PP overs chocking batsmen for runs. S Nadeem has been an integral part of DD squad this season as he has been extremely economical and has picked up crucial wickets for his side. Nadeem for sure has time one his side and probably needs to be looked at more closely. His economy rate at this year’s IPL is an amazing 6.04 and seems like he is more suited to the shorter format of the game.

P Awana (Kings X1 Punjab)
(Wkts: 9, Ave: 12.67, SR: 10.67, Econ: 7.25)

Awana is yet another Indian pacer who has impressed with his pace and wicket taking ability this season. He has already become an integral member of Kings X1 set up and has done exceedingly well for them. With 9 wickets already this season he is one of the top wicket takers in initial part of IPL V. Awana is a bowler who can consistently bowl over 140 K and maintain decent line and length. His wicket taking ability is a great asset and hopefully he can last the entire season without injuries. Awana is from Delhi and has a decent first class record with a good strike rate. He is another good addition to the Indian pace bowling list and with good performances in domestic scene might come into the radar of the selector. He is another Indian pace bowler to keep an eye on for the fans.

AB Dinda (Pune Warriors)
(Wkts: 8, Ave: 13.37, SR: 13.5, Econ: 5.94)

Dinda is not a new name for the Indian fans. He has been in radar for few years now but has hardly received consistent chances at the highest level. He has been performing brilliantly for his state side Bengal over the years and has been one of the best bowlers this season in the IPL. He did receive his chance in the Asia cup earlier this year but had two contrasting performances. He has been excellent for Pune Warriors so far and has carried their attack this season without much support. His economy rate proves that he hasn’t been easy to get away in the power play overs and he has also picked up wickets regularly. He has been very good with the old ball too as he proved against Pakistan in the high scoring encounter earlier this year in Bangladesh. He has been a vital member in the Pune Warriors squad and hopefully will continue to churn in good performances this season. A good season here might earn him a call back to the Indian squad.

S Dhawan (Deccan Chargers)
(Runs: 208, Ave: 41.60, SR: 126.82)

S Dhawan is probably someone who seems to be around for ages but yet he is only 26 years old. He has been a solid performer for Delhi and has had some good performances in the IPL over the years. Playing for Deccan Chargers this season he has been very good at the top of the order. He did play for India in few games and the one noticeable aspect of his game was his inability to convert good starts. In this IPL season too he has had similar issues kicking on after a start. He has had some good starts for Deccan but has failed to convert them into big scores. Dhawan again is a good young player who could not get into the Indian squad due to the embarrassment of riches at the top of the order. He has once again had a great start to this season of IPL and would want to keep performing to get the selection committee to notice.

Honorable mention:

KP Appana (Royal Challengers Bangalore)

The rest of the young brigade has been largely disappointing. Sourabh Tiwary (RCB), Mayank Agarwal (RCB), Ashok Maneria (RR) Manish Pandey (PWI), Rahul Sharma (PWI) and Ambati Rayudu (MI) all have been extremely inconsistent. All of them have made some crucial contributions to their sides but have not been consistent enough to make the list. Ambati Rayudu and Sourabh Tiwary have been the biggest disappointments. After a great season in the IPL in 2010 both the players had a forgettable 2011 and it seems like they have carried the bad form again to 2012 season. Even though Rayudu just played a blinder against Kings X1 to take his side home, he has been largely inconsistent. Hopefully this innings will help him to get back to form and stake his claim for the national side once again. The tournament has just begun and any of the above mentioned players can turn it around for their respective sides.

Even though T20 isn’t the right format to judge the capability of a player, these guys have put in their best efforts to get noticed. You can only perform in the stage given to you. These players have not only done well in T20 but have very good first class record to go with it. This means that they have only further emphasized their stature with some good performances in IPL. Performing well in the IPL means that you get noticed instantly and it for sure enhances your chances of getting picked for the national side.

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