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Actor Siddharth (Left) and RJ Balaji (Right) started the relief work in Chennai with their #ChennaiMicro movement
When I first heard about the incessant rains in Chennai I had no clue about the devastation it had caused to the city I grew up in. When I later looked at the videos and photos it was really heart breaking. It really pained me that I was not there and was not able to help the people in need. This was the time I read an article and found few of the twitter posts by actor Siddharth and RJ Balaji. I do have twitter account but I hardly use it. Let me be honest, I am not a big social media fan. Even though I have Facebook, Twitter, WhatsApp etc… I hardly use it.
Now when I logged on to twitter and looked at the posts and the number of people involved in making a difference I was completely inspired. I decided instead of feeling bad for not being present in Chennai during this time, I can do something worthwhile. So there began my involvement in doing something useful to help the people in need. The twitter proved that if used well social media is the most powerful tool in the current generation. I was able to help out people providing useful information or guiding them to the right contact being here in the US which would have not been possible like 15 years ago.
The other thing which was amazing was the number of young volunteers who were involved in the relief work. It was really inspiring to see how much they were working hard to help the people in need. I met lot of very good people and was able to help a few of them with their needs. It was truly amazing experience to be part of the work which was going on in full swing with their relief work in Tamil Nadu. The kind of pictures we saw of the floods meant that these volunteers braved their way in conditions which were extremely dangerous to help the people who needed food and supplies. There are not enough words to thank these countless volunteers who made the difference during these testing times for the state.
We need to thank actor Siddharth and RJ Balaji who started this movement and used the social media via their #ChennaiMicro movement to reach out to people. They have been brilliant and their team has done some amazing work in the Chennai and Cuddalore which were the most affected. The Tamil film industry in unison was completely involved in the relief work and it was brilliant to see how they were ready to help anyone who needed any supplies. I would also like to mention Khusbhu, Vishal, Vishnu, Karthi, Varalaxmi Sarathkumar, Karthik Kumar, Singer Suchitra, Shanthanu and countless others who joined the movement and were not only in social media but also were in the field helping people in need.
These are the real heroes. No amount of thanks can repay the efforts they put in during the time of adversity to help the people of the state. The people of Tamil Nadu have once again proven that humanity is bigger than any religion, caste or language.
I am so happy that I took to twitter a week ago as otherwise I wouldn’t have been so close to whatever relief work was happening in TN. I really want to salute all the heroes who decided to leave their homes and go on the streets and help people in need. I would also like to mention the countless brothers and sisters from all over the world (not only from India) who donated generously to help the relief work. The spirit of the people of TN has been heartwarming. Even though we were not getting much attention in the national media, the people brushed it off and helped themselves to recover from one of the largest natural calamity the state has faced since the tsunami of 2004.
I am really proud of my state and my city. I am really proud of the Tamil film industry. This has been really a rewarding experience and I would like to keep myself involved in every way possible in the state’s rehabilitation work.
Isn’t it just common sense?
Posted on: January 30, 2013
People talk about creative freedom, secularism but for me it boils down to just common sense. The things that have been happening in Tami Nadu are unfair on the brilliant creator that is Mr Kamal Hassan. I am a big admirer of Kamal Hassan’s work. Let me be clear I am no fan boy. I love good cinema and Kamal Hassan has provided that in abundance.
When Viswaroopam released and when I learnt that it deals with terrorism I did not expect it to create such a furor. We have had countless movies releasing in India on similar themes, so I thought this movie will be considered one among them but that is not to be. Viswaroopam was banned by Tamil Nadu government and subsequently by other governments in India and abroad.
I can’t believe that in this day and age people actually believe that a movie can cause security issue. It is sad that one of India’s finest creators has to suffer due to some political agenda.
Kamal Hassan has talked about moving out of Tamil Nadu and even the country if the justice is not served. It will be a shame for the nation/state if such a thing happens. Creative people like Kamal Hassan are nation’s pride. The kind of jewel we all need to cherish and celebrate. India is the only country where their legends are treated with so much contempt. The government needs to wake up and put an end to this madness.
The creative freedom on an actor and creator needs to be upheld. It is sad to see the great man talking about bankruptcy and losing his home. It is even astonishing that the government hasn’t done anything to avert this situation. The perplexing thing is that the Tamil film association has kept mum on this issue. Few actors including our superstar have voiced in their support but as an association they should have stood behind their own.
It is nice to see the support of the fans for the movie. I hope that everyone continues to support the movie and keep our beloved icon in his home state. I hope that the Supreme Court intervenes and overturns the ban on the film. An icon like Kamal deserves better and we cannot let the constitution down.
Kamal Hassan is one of India’s finest actor/director. He has given us numerous classics and is very much responsible for taking Indian cinema overseas.
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If you watch talent shows on Indian television. You will get the drift.
Watching an Indian talent show is like watching a mega serial. The concept is same, if it’s doing well, stretch it as much as possible. Sometimes as fan of talent shows as me, it becomes pretty draining and boring to watch. The last show I really followed and watched to completion was Airtel Super Singer 2008. Even that one at one point got irritating but I somehow pulled myself through to watch it to completion.
The major problem with these shows is that, there are so many meaningless episodes. The countless recalls, Wildcards and celebration rounds get on your nerves sometimes. I started watching Hariyudan Naan, the other talent show on a different network and after a while when it started to follow the familiar pattern, I gave up. I had no intention to watch it till the end. It’s funny when the channel tries to justify these extra episodes…
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Renu follows Ajeesh’s footsteps
Posted on: January 18, 2012
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Ajeesh’s “Idhuvarai” from Goa was a chartbuster and he even got an award for best young singer. Now it is the time for Renu to shine. Her song “Pappara paa…” from Vettai is a huge hit and hopefully will give her the necessary boost in her singing career. Everyone who followed the 2008 super singer would know that Renu always used to stick to melody most of the times and never attempted anything different throughout the season.For her to pull off a mass song in Vettai with considerable ease was a revelation. Kudos to her for the same and congratulations to her for getting her first hit. Nice to see the Super singer 2008 candidates succeed in the music world. Hope to see more success stories.
Great year for Tamil cinema
Posted on: December 30, 2011
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This is not something we get to write that often. The Indian film industry is synonymous with Bollywood aka Hindi film industry and South films hardly get the recognition. 2011 in a way broke that trend and it will be fair to say that Southern Industries ruled this year. Not only did the south films (Malayalam and Tamil) dominate the National awards earlier this year but the Bollywood box office was dominated by southern remakes. It was a year when the Southern Industries got their day under the sun in India.
As far as Tamil cinema goes it was yet another great year. It was the continuation of the good work which started in 2010 and carried over to 2011. The year 2011 is when the Tamil cinema broke the language barriers and reached to nook and corner of the vast country. The year which began with Tamil cinema dominating the national awards along with Malayalam making it a very southern awards, ended with Dhanush’ s “Kolaveri Di” winning CNN international song of the year.
Dhanush was the year’s biggest star and he was part of couple of good movies this year. The biggest success of Tamil cinema this year has been the success of small movies such as “Engeyum Eppothum”. A movie which was Fox Star’s foray into Tamil cinema, sans top stars and with a new director at the helm was a super hit. Appreciation of good scripts and attempts by the audience has always been the success of Tamil cinema which was again in view in 2011.
This year had releases from Suriya, Dhanush, Ajith, Vikram and Vijay. This year also saw Ajith take over a bad guy role and pulling it off with great panache. Vijay shifted his path from masala genre and signed movies with big directors. Suriya and Dhanush once again confirmed their status as good actors. This year also marked some path breaking movies such as “Aaranya Kaandam”. A movie which received praise from all quarters was a great addition to the gangster genre. The movie did rounds in the International film festivals and won some awards.
Even though some great movies were made this year and some remakes were extremely successful in other languages, this year belonged to Kolaveri Di. The song broke the language barrier to be accepted by all the music lovers.
South cinema comprises of some of the best talents in the country and makes some wonderful movies and this year was really a testament to that fact. Hindi blockbusters like Bodyguard, ready, Singham and Force were all south remakes. The year 2012 promises to be a fine one for Tamil cinema and hopefully will have some great movies. As 2011 comes to an end, here is wishing a great 2012 for Tamil cinema and its audience.
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Making a Sci-Fi movie in India is difficult. It is not something for which we have references from the past from our own industry. When director Shankar conceptualized Endhiran (Robot) in 2000 with Kamal Hassan in mind, he had to drop the plans due to lack of funds for a movie of such scale. The reason behind not many movies of this genre gracing Indian screens. The scenario in the recent times has changed a lot. Hindi movies aka Bollywood has always enjoyed more money than the other industries in India owing to their popularity and reach. So when Ra.one was announced my expectation was automatically raised.
When Endhiran came in 2010 (a year before Ra.One) people had nothing to compare it with in the Indian film history. Obviously it is a beaten to death genre in Hollywood where countless such movies are made and are way ahead from what Shankar and Anubhav Sinha could offer. Endhiran had its flaws but was entertaining. The movie had an experienced director at its helm and one of the greatest entertainers in Indian cinema playing the lead. The movie was a super hit and was loved by all (Well mostly). Endhiran had an advantage which Ra.One did not, it was the first movie of its type to grace the Indian screens and did not have too many Indian movies to be compared with (Even though in 2002 Upendra had already made a movie in similar theme).
Ra.One had a lot to live up to. It had to be better than Endhiran in every department. It was being made at a larger scale; it was being made in 3D and had one of the biggest superstars in Indian cinema starring in it. The movie released with lots of hype and Shahrukh went out of the way in promoting Ra.One. When I watched the movie I had lots of expectation. The concept of the move was interesting but the execution was amateurish. The special effect was obviously great but the story and screen play lacked substance. Shahrukh’s act as a Tamilian also was also in bad taste, I am not sure how many years Bollywood is going to stick with Mahmood’ s version of Tamilian from the 70’s. It’s boring and it is kind of irritating to say the least.
When Shahrukh went to Chennai to promote the movie I actually thought that his Shekhar Subramaniam might be different than the normal Tamil caricature Bollywood movies have but it was not to be. That was only a part of the issue with the movie as thankfully Shekhar dies within 30 minutes into the movie. The Game (Ra.One) used as the premise to move the movie forward made no sense. I will be surprised if anyone in their right mind would buy such a game. Starting from the presentation at the start of the movie in a UK gaming company which was surprisingly in Hindi with a host of English people in the crowd, the movie had gaping holes which was hard to look past.
The Ra.One game was the most mysterious one as if either of the characters can only be killed in the third level why have the first two levels at all? Why was there a Ra.One suit at all when no one can play as him? If the either of the characters can only be killed with their HART’s on, then why Ra.One (The bad one) went searching for it in India when it could be killed having it? There are lots of questions which arose while watching the movie. The only silver lining was obviously the “Chammak Challo” song, but again not sure which kids birthday party will have skimpily clad women dancing. Shahrukh obviously put his heart and soul in to this movie and was sure one of the positives to come out of the movie.
But overall the movie was a great disappointment. With such a grand budget at hand the director/writer could have spent some time in writing a better script. I would like to laud Shahrukh for attempting such a movie but for sure could have chosen a better script and probably a better director to execute it on the screen. The movie might have run on the hype but for sure was way below par on content. Shahrukh has Don 2 coming this weekend and I sincerely hope that it is better than Ra.One. This time at the helm is Farhan Akthar who is for sure a director of better pedigree than Anubhav Sinha and I am sure that this will turn out to be a better outing for the superstar.
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Airtel Super Singer 2008 winner Ajeesh won “Upcoming Singer” award in the Mirchi music awards. Ajeesh who sang the song “Iduvarai” from Goa along with Andrea won this award last week. The pair had also won the best duet award for the same song earlier and this is for sure a proud moment for Ajeesh. Ajeesh won the last serious competition I watched on television so it was great to see him win an award on his very first song.
Ajeesh is an extremely talented singer and I hope that he sings more hit songs in the future and wins many more awards.
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The 58th National awards were announced yesterday in India and the major awards were collected by Tamil and Malayalam movies. Dhanush won the best actor award for his realistic portrayal in the film Aadukalam along with Malayalam actor Salim Kumar who won it for his brilliant performance in the film Adaminte Makan Abu. The best feature film award went to Malayalam film Adaminte Makan Abu.
Aadukalam was the star of the National Film awards announced yesterday as it bagged 6 awards including the Best actor, Best Director (Vetrimaran), Best Original Screenplay (Vetrimaran), Best Editing (TE Kishore), and Best Choreography (Dinesh Kumar).
Saranya Ponvannan won the best actress award for the film Thenmerkku Paruvakkatru along with Marathi actress Mitalee Jagtap Varadkar for Baboo Band Baaja.
The best supporting actor award went to actor Thambi Rammaih for his excellent performance in Mynaa and the supporting actress award went to actress Sukumari for the Tamil film Namma Grammam.
Namma Grammam also won the award for costume design for Indrans Jayan.Enthiran also bagged couple of awards for best production design (Saby cyril) and Special Effects (V Srinivas M Mohan). Vairamuthu won the best lyricist award for Thenmerkku Paruvakkatru.
With all the awards going to the regional movies Dabaang winning “Wholesome Entertainer” award was kind of a consolation for Hindi films. Vishal Bharadwaj also won the Best Music award for the film Ishqiya. His wife Rekha Bharadwaj won the best Playback singer award for the same movie. Do Dooni Chaar won the “Best Hindi Film” award.Ishqiya also won the award for Best Audiography (Debajit Changmai).
The Best Backgound Score award went to Issak Thomas Kottakapally for the Malayalam film Adaminte Makan Abu. The Best Cinematography award went to Madhu Ambat for Adaminte Makan Abu (Malayalam).
Nargis Dutt award for the Best film on National Integration went to Bengali film Moner Manush. The Best Film on Social issues went to Marathi film Champions. Indhira Gandhi award for Best Debut Film of a Director went to Marathi Film Baboo Band Baaja.
So overall it was a great day for Regional movies this time. Tamil movies bagged 14 awards in various categories and Malayalam films bagged 6. The 58th National Awards was great one for the Southern Film industries and a particularly proud one for Tamil. Congratulations to all the winners and hope that the winners will strive to achieve greater success in the coming years.
Note – I haven’t published all the award winners, just a few of the important ones are mentioned in this post.
Recalls, Wildcards and celebrations
Posted on: May 17, 2011
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Watching an Indian talent show is like watching a mega serial. The concept is same, if it’s doing well, stretch it as much as possible. Sometimes as fan of talent shows as me, it becomes pretty draining and boring to watch. The last show I really followed and watched to completion was Airtel Super Singer 2008. Even that one at one point got irritating but I somehow pulled myself through to watch it to completion.
The major problem with these shows is that, there are so many meaningless episodes. The countless recalls, Wildcards and celebration rounds get on your nerves sometimes. I started watching Hariyudan Naan, the other talent show on a different network and after a while when it started to follow the familiar pattern, I gave up. I had no intention to watch it till the end. It’s funny when the channel tries to justify these extra episodes with some weird logic. When I switch on to watch a competition, I would be happy if there is one. Like for example Airtel Super Singer comes 4 days a week, and if there is a festival on that week they go into a celebration round. Celebration round means, there is no competition, no eliminations but just some time for the network to stretch the show.
Then comes the wildcard rounds, no idea what that means. Suddenly when they have a top 10 or 15 identified, they pop this in. No idea why, suddenly they have 2 weeks of getting the eliminated singers to comeback and compete and 2 or 3 of them are called back. So 15 becomes 18 after couple of weeks and then you are back to eliminating those 3 in another 6-8 weeks before we get to 15 again. Amidst all these we suddenly have the episodes where the judges become incredibly generous and after rigorous competition and judging they say that there will be no eliminations this round. This last minute revelation keeps the audience engaged till the fourth day, because they will have no clue that the judges are going to drop this bomb on them at the end of it.
The funniest of all is the recall round, not sure what’s the difference between a recall and wildcard. Different networks use different terminologies but all these exist on almost every talent show. I did not watch Hariyudan Naan completely but I remember Airtel Super singer when they had top 7 contestants and just when we were hoping to get to the finals soon, they pulled out this recall/wild card out of the hat and had two separate rounds of that too. First the contestants who were left judged and then the judges themselves did later. Well what a great trick to extend the show.
When these shows begin the producers probably wait for the TRP and once they know that it is a hit, they just try to prolong it as much as possible. Some people enjoy it but some get terribly frustrated. It’s fine with me if they have one recall/wildcard in the entire length of the show but having multiple of them and also having these celebration rounds gets on my nerves. I just hope that we get a show which after getting to the serious competition works towards completion rather than finding ways to stretch it as much as possible. In the day and age of mega serials, it will be great to have a decent and up to the point talent show. We don’t want a “Mega” talent show too as we have enough of the mind numbing TV serials already.
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